They parted at Charing Cross. Joan would write. They agreed it would be better to choose separate days for their visits to Folkestone. By the time it was done with, Madge had discovered a girl who could sing “Three Little Pigs;” and a sad, pale-faced gentleman who told stories. At the end of one of them Madge’s brother spoke to Joan in a tone more of sorrow than of anger.!

Hilda! Why had she never thought of it? The whole thing was so obvious. “You ought not to think about yourself. You ought to think only of him and of his work. Nothing else matters.” If she could say that to Joan, what might she not have said to her mother who, so clearly, she divined to be the incubus—the drag upon her father’s career? She could hear the child’s dry, passionate tones—could see Mrs. Phillips’s flabby cheeks grow white—the frightened, staring eyes. Where her father was concerned the child had neither conscience nor compassion. She had waited her time. It was a few days after Hilda’s return to school that Mrs. Phillips had been first taken ill. “England’s a different proposition,” he mused. “Society counts for so much with us. I doubt if we should accept even an Abraham Lincoln: unless in some supreme crisis. His wife rather handicaps him, too, doesn’t she?”

“I am only at the end of a journey when you need me,” he had answered, and they had kissed. And next morning she returned to her own life. A pile of correspondence was awaiting her and, standing by the desk, she began to open and read it. Suddenly she paused, conscious that someone had entered the room and, turning, she saw Hilda. She must have left the door ajar, for she had heard no sound. The child closed the door noiselessly and came across, holding out a letter. “Tell me,” he said, “did you see your mother before she died. Did she speak to you?”